![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/change_tune-small.jpg\")
<\/a><\/td>\n\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\n<\/td>\n<\/tr>\n\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/one_line-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a<\/span><\/h3>\nMove one index finger horizontally in front of you
\nContinue playing what you played for 4 beats<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/keep_on_going-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u0633\u062a\u0645\u0631<\/span><\/h3>\nTurn your hands around each other horizontally
\nShow together with instrument section sign(s).<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/two_lines-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a<\/span><\/h3>\nMove two index finger horizontally in front of you.
\nContinue playing what you played for 8 beats<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/everybody_else-150x150.jpg\")
<\/a><\/td>\n\n\u0643\u0644 \u0634\u062e\u0635 \u0622\u062e\u0631<\/span><\/h3>\nCircle with your index finger above your head
\nAfter showing something to one section, always signal to the rest of the band what they should do.<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/into_tune-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u0644\u0639\u0648\u062f\u0629 \u0625\u0644\u0649 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\nMove both hands from the shoulders down in a half circle each, like waves, backs of the hands touching each other at the bottom.
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\n<\/td>\n \n\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/play_it_again-150x150.jpg\")
<\/a><\/td>\n\n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/slow_down-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/speed_up-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/stop-150x150.jpg\")
<\/a><\/td>\n\n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/volume_down-150x150.jpg\")
<\/a><\/td>\n\n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/volume_up-150x150.jpg\")
<\/a><\/td>\n\n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/one_line.jpg\")
<\/a><\/td>\n\u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a<\/span><\/h3>\nMove one index finger horizontally in front of you
\nContinue playing what you played for 4 beats<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u062a\u0645\u0631<\/span><\/h3>\nTurn your hands around each other horizontally
\nShow together with instrument section sign(s).<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a<\/span><\/h3>\nMove two index finger horizontally in front of you.
\nContinue playing what you played for 8 beats<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0643\u0644 \u0634\u062e\u0635 \u0622\u062e\u0631<\/span><\/h3>\nCircle with your index finger above your head
\nAfter showing something to one section, always signal to the rest of the band what they should do.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0644\u0639\u0648\u062f\u0629 \u0625\u0644\u0649 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\nMove both hands from the shoulders down in a half circle each, like waves, backs of the hands touching each other at the bottom.
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\n<\/td>\n \n\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nContinue playing what you played for 4 beats<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/keep_on_going.jpg\")
<\/a><\/td>\n\u0627\u0633\u062a\u0645\u0631<\/span><\/h3>\nTurn your hands around each other horizontally
\nShow together with instrument section sign(s).<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a<\/span><\/h3>\nMove two index finger horizontally in front of you.
\nContinue playing what you played for 8 beats<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0643\u0644 \u0634\u062e\u0635 \u0622\u062e\u0631<\/span><\/h3>\nCircle with your index finger above your head
\nAfter showing something to one section, always signal to the rest of the band what they should do.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0644\u0639\u0648\u062f\u0629 \u0625\u0644\u0649 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\nMove both hands from the shoulders down in a half circle each, like waves, backs of the hands touching each other at the bottom.
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\n<\/td>\n \n\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nShow together with instrument section sign(s).<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/two_lines.jpg\")
<\/a><\/td>\n\u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a<\/span><\/h3>\nMove two index finger horizontally in front of you.
\nContinue playing what you played for 8 beats<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0643\u0644 \u0634\u062e\u0635 \u0622\u062e\u0631<\/span><\/h3>\nCircle with your index finger above your head
\nAfter showing something to one section, always signal to the rest of the band what they should do.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0644\u0639\u0648\u062f\u0629 \u0625\u0644\u0649 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\nMove both hands from the shoulders down in a half circle each, like waves, backs of the hands touching each other at the bottom.
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\n<\/td>\n \n\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nContinue playing what you played for 8 beats<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/everybody_else.jpg\")
<\/a><\/td>\n\u0643\u0644 \u0634\u062e\u0635 \u0622\u062e\u0631<\/span><\/h3>\nCircle with your index finger above your head
\nAfter showing something to one section, always signal to the rest of the band what they should do.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0644\u0639\u0648\u062f\u0629 \u0625\u0644\u0649 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\nMove both hands from the shoulders down in a half circle each, like waves, backs of the hands touching each other at the bottom.
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\n<\/td>\n \n\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nAfter showing something to one section, always signal to the rest of the band what they should do.<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/into_tune.jpg\")
<\/a><\/td>\n\u0627\u0644\u0639\u0648\u062f\u0629 \u0625\u0644\u0649 \u0627\u0644\u0644\u062d\u0646<\/span><\/h3>\nMove both hands from the shoulders down in a half circle each, like waves, backs of the hands touching each other at the bottom.
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\n<\/td>\n \n\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSignal everyone or a group of instruments to go back into the tune.<\/td>\n<\/tr>\n
\u0643\u0631\u0631 \u0628\u0644\u0627 \u0646\u0647\u0627\u064a\u0629<\/span><\/h3>\nFor repeating a sign (or a sequence) endlessly, show with your second hand the loop sign. Draw with you second hand a half circle over the sign you want to repeat<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/play_it_again.jpg\")
<\/a><\/td>\n\u0645\u0631\u0629 \u0623\u062e\u0631\u0649<\/span><\/h3>\nHit with your flat hand on your forehead
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nA break sequence was great and you want to do it again. Use the \u201cagain sign\u201d. If something didn\u2019t work out well, it\u2019s better to show everything again, since maybe someone didn\u2019t get it.<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/slow_down.jpg\")
<\/a><\/td>\n\u0627\u0628\u0637\u0626<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing downwards with the drumsticks.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/speed_up.jpg\")
<\/a><\/td>\n\u0627\u0633\u0631\u0639<\/span><\/h3>\nSigned with circling a watch on the hand clock wise, while pointing upwards with the drumsticks.
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSome breaks can be used for speeding up or slowing down. Others need more practise and some experience. Speeding up can also be done following one instrument section, either by signing to everyone to listen to and follow while playing, or by stopping all other instruments and then, after speeding up, get all back in with a break or just count them in. For speeding up you would take the most stable section, but maybe not the surdos.<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/stop.jpg\")
<\/a><\/td>\n\u0642\u0641<\/span><\/h3>\nRaise one fist (look at the inner side of your hand)
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIn the moment of stopping, move your fist down. In order to \u201cStop\u201d the band you have to count in. Immediate stop with two fists.<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/volume_down.jpg\")
<\/a><\/td>\n\u0627\u062e\u0641\u0636 (\u0627\u0644\u0635\u0648\u062a)<\/span><\/h3>\nMove flat hands to the bottom
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
\n<\/a><\/td>\n \n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n
![\"\"](\"https:\/\/www.rhythms-of-resistance.org\/wp-content\/uploads\/2019\/05\/volume_up.jpg\")
<\/a><\/td>\n\u0631\u0641\u0639 (\u0627\u0644\u0635\u0648\u062a<\/span>)<\/h3>\nMove flat hands up
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>","protected":false},"excerpt":{"rendered":"
\u062a\u063a\u064a\u064a\u0631 \u0627\u0644\u0644\u062d\u0646 \u0627\u0633\u062a\u0645\u0631\u0623\u0631\u0628\u0639 \u062f\u0642\u0627\u062a Move one index finger horizontally in front of you Continue playing what you played for 4 beats \u0627\u0633\u062a\u0645\u0631 Turn your hands around each other horizontally Show together with instrument section sign(s). \u0627\u0633\u062a\u0645\u0631 \u0644\u062b\u0645\u0627\u0646\u064a\u0629 \u0625\u064a\u0642\u0627\u0639\u0627\u062a Move two index finger horizontally in front of you. Continue playing what you played for 8 beats … \u0645\u062a\u0627\u0628\u0639\u0629 \u0642\u0631\u0627\u0621\u0629 “\u0627\u0644\u0625\u0634\u0627\u0631\u0627\u062a \u0627\u0644\u0623\u0633\u0627\u0633\u064a\u0629”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":227,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279"}],"collection":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":18,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions"}],"predecessor-version":[{"id":669,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/279\/revisions\/669"}],"up":[{"embeddable":true,"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/pages\/227"}],"wp:attachment":[{"href":"https:\/\/www.rhythms-of-resistance.org\/ar\/wp-json\/wp\/v2\/media?parent=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTake care that the band only changes loudness, not speed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n